The Joys of Reverse Engineering

Two years ago I attended José Andrés’ Harvard lecture on hydrocolloids. He showed this video from his research kitchen as an example of the practical applications of various gelling agents:

That video has remained stuck in my head, due both to the clever ideas presented as well as the food porn quality. It came to mind again as I was struggling to come up with a dessert for new dinner guests, inspired by the mountains of boxed clementines that have invaded every supermarket. I can make that dessert, I thought. Most of the steps are explained, and some careful study should help me figure out the rest.

I began by blanching four clementines, guessing that two minutes would be sufficient. This step removed the wax from the rinds, which promptly precipitated on the walls of my pot. While the fruit cooled in an ice water bath, I made two cups of simple syrup. I added the syrup to a sous vide bag along with two clementines.

After two and a half hours in a 90°C water bath, I had two cooked clementines and a cup and a half of citrus-scented syrup.

After cutting an X on the underside, I ran a small spoon around the inside of the peel to loosen the fruit.

Taking care not to widen the cuts – easier said than done – I extracted the fruit with a tweezers, making sure I removed as much of the stringy pith as possible.

I ran the two blanched (but not cooked) clementines and the extracted pulp through my juicer. I hand-juiced a fifth clementine (I’m still not sure why this had to be done separately), dehydrated the juice for two hours at 65°C, then added a sheet of bloomed gelatin and microwaved to combine. Please excuse the absence of cool glassware and stainless countertops.

I mixed the two together, adding 0.1% by weight of xanthan gum, my best guess as to the identity of the unnamed hydrocolloid in the video. After a few hours in the fridge the clementine sauce wasn’t thick enough, so I added another sheet of gelatin and more xanthan.

I decided to go with chocolate rather than pumpkin seed as the complimentary flavor, so I made a chocolate sauce with equal volumes of the citrus simple syrup, chocolate, and butter.

I had to watch the video three times to realize that the “clementine sorbet” step wasn’t demonstrated at all. Either a miracle happened, or Andrés assumed if I got this far that a simple sorbet wouldn’t tax my skills. I juiced the rest of the box of clementines to extract three cups of juice, to which I added a half cup of sugar, a quarter cup of glucose syrup, two tablespoons of citron vodka, and 0.2% xanthan – the last three ingredients would reduce ice crystal formation and ensure a smooth-textured sorbet.

As soon as the sorbet came out of the ice cream freezer, I piped it into the hollow clementine shells, which I wraped in plastic to maintain their shape as they sat in the freezer.

I had planned on piping out the clementine sauce into a spiral and filling the space with the chocolate sauce, similar to the video, but I discovered that the chocolate sauce was more viscous then the clementine sauce, so I reversed the process, filling a chocolate spiral with clementine sauce. I cut the sorbet-filled clementines into sections, and lated a section along with a slice of aero chocolate. I added some chocolate-coverd cacao nibs as a garnish.

It’s hard to go wrong with pairing orange and chocolate, but what made this dessert interesting was the contrast between the paired preparations of each flavor: liquid clementine against icy sorbet, thick chocolate against airy mousse. I’d still like to figure out the proper textures for the sauces and add more color to the plate – perhaps a few raspberries.

Next up: figuring out Andrés’ cheese egg.

Update

I served the dessert again yesterday, adding a few raspberries, and, at the sugestion of Maggie, some spiced whipped cream. In this case the cream was lightly sweetened with some of the clementine simple syrup and flavored with a dash of five spice powder. Both additions greatly improved the final plate.

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Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo*

Every now and then He Who Will Not Be Ignored surprises me by saying something that proves not only that he does listen to me, but also that he is capable of formulating new ideas. The latest instance of this occurred while we watched the Boston episode of Andrew Zimmern’s Bizarre Foods America (although I’m pretty sure the Boston title would be pronounced “b’ZAH”). During his visit to Clio restaurant, Zimmern saw chef Ken Oringer make powdered chorizo by mixing tapioica maltodextrin with rendered chorizo fat. He Who, who has seen me make powders out of caramel, peanut butter, and french toast, said “Dad, we have to make powdered buffalo sauce and serve it with chicken.” I don’t know if the orange color of the chorizo fat reminded him of buffalo sauce or if he just made the connection that fat can be converted to powder, but I agreed the we had to experiment with his idea. What follows is our experiment, with additional commentary from He Who.

Not long after this conversation, The Boston Globe ran an review of Oringer’s newly-reopened sushi bar, Uni. One of the new dishes was his take on tori no kara-age (deep-fried chicken nuggets), which in his presentation were uniform little cubes of chicken – an effect achieved  by gluing chicken thighs together with transglutaminase. That’s where we began, layering boneless skinless thighs in a 8″ x 8″ plastic-lined baking pan. I taught He Who how to season by sprinkling salt from high above the food for more even distribution.

He dusted transglutaminase over the first layer and on the thighs waiting to become the second layer.

We wrapped the chicken in plastic, set a second pan on top, weighed everything down with a brick, and let it sit in the fridge overnight.

We made our own buffalo sauce by combining a half cup of hot sauce (Frank’s Red Hot) with four tablespoons of butter, a tablespoon each of dark brown sugar and cider vinegar, and two tablespoons of Tabasco.

I sneaked in some extra salt and pepper when you weren’t looking.

While the sauce cooled, we made a celery emulsion by juicing and straining six celery ribs which we blended with half a gram of xanthan gum. We also made a blue cheese sauce by blending and straining cheese, cream, milk, and olive oil. We poured the mixture into an ISI canister, incorporated two cream chargers, and refrigerated until needed.

To make the buffalo sauce powder we began with equal volumes of sauce and maltodextrin, half a cup each.

The sauce handily absorbed the powder and showed no signs of thickening. After three more half-cup additons of powder the sauce had thickened to the consistency of ketchup. At this point we halved the working amount, continued to add maltodextrin, and eventually wound up with a coarse powder.

Unfortunately, after five minutes the powder turned into a thick, sticky mass. We set it aside while we worked on the chicken, which was now a solid block.

We cut it into smaller blocks which we dredged in cornstarch seasoned with cayenne and black pepper.

While the chicken spent time in the deep fryer, we returned our attention to the failed powder. This is when He Who had another brilliant idea: “It’s like taffy. Roll it out and cut it with a circle cutter.” Which is exactly what we did.

To plate, we used some of the remaining thickened sauce, striped the celery emulsion next to it, and arranged the fried chicken. Each piece was topped with one of the sauce discs, and we finished by piping out some blue cheese mousse and adding pieces of celery core that resembled miniature stalks.

I wish the chicken looked more like fast-food fried chicken.

The heat from the chicken turned the sauce discs into buffalo caramels, an unexpected texture. Other than that misstep the dish was a hit: all of the taste of buffalo wings without having to worry about the bones and skin. He Who’s final approval was an enthusiastic thumbs up:

We discussed why the sauce had failed to turn into powder. Maltodextrin works best when mixed with something that is almost pure fat like caramel or peanut butter. Our homemade sauce was mostly water from both hot sauces as well as the vinegar.

Maybe we should have started with pre-made buffalo sauce instead.

If we had reduced the sauce down to a syrup before adding the matodextrin, I’m sure we would have succeeded. Of course, there’s only one way to be sure, so look for that result soon.

*It’s a grammatically valid English sentence.

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Piquant Machins

I was recently invited to a “hot foods” party, which is not to be confused with a cold dish supper. Attendees were asked to contribute a spicy dish, either hot or cold. I expected to find chili, various dips, and chocolate-chili dessert combinations, but I wanted to bring something unique. Knowing that our hosts and some of the guests were serious ice cream makers, I decided to contribute a few pints of chocolate cayenne (from Jeni’s Splendid Ice Cream) as well as an original flavor combination. But what would that flavor be?

After a week of diners that included phở and Hainan chicken rice, I realized we had almost depleted our bottle of sriracha sauce. That’s when I got the idea to make fresh ginger ice cream with a sriracha swirl. Seeing this recipe for homemade sriacha solidified the concept, which would also let me claim the ice cream was completely homemade.

Huy Fong “rooster” brand sriracha – the version we all know and love – is made from red jalapeños, which are easily found year-round in California. I had to settle for a pound and a half of red fresno peppers instead.

After snipping off the stems but still leaving the green crowns, I tossed them whole into my food processor, along with six peeled garlic cloves, four tablespoons of light brown sugar, and a tablespoon of kosher salt.

I pulsed the peppers until they were finely chopped, then transferred them to a clean one-quart mason jar. I loosely screwed on a lid and set the jar in a warm place for a few days.

I stirred the peppers every day, and after the third day I noticed bubbles forming near the bottom, a sign of fermentation.

After a few more days, I noticed that the pepper pulp was floating on top of clear red liquid. I continued to stir each day until the level of the peppers in the jar stopped rising. I added the peppers to a blender along with half a cup of white vinegar and puréed the mixture until it was smooth.

I pushed the purée through a fine-meshed strainer, making sure to force through as much pulp as possible, leaving only seeds and pith behind.

I brought the purée to a boil, reduced the heat, and simmered for about ten minutes until it thickened. Although the reducing sauce lends an amazing smell to the kitchen, I advise against inhaling the fumes. I poured the sauce into a pint jar, let it cool, and stored it in the fridge. It has a six-month shelf life, but it never lasts that long at Chez Belm.

My homemade version tasted different than the canonical original. It was brighter and spicier, with a thinner texture. After examining the Huy Fong ingredient list, I see that I can improve the texture with the judicious addition of xanthan gum. I might be able to correct the taste if I can get my hands on some red jalapeños.

Why bother making the same thing that’s available in a plastic bottle? Because I can.

And what about the ginger-sriracha swirl ice cream? Were you at the party? It killed.

Piquant Machins on Punk Domestics
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Raising the Steaks

There’s nothing like a database crash to make you appreciate automated blog backups. I spent the beginning of the week elbows deep in SQL tables and WordPress documentation, and am happy to report that I was able to bring the blog back to life without  having to sell my soul to a UNIX geek.

I made a survey of the Deep Storage Facility to figure out what I could turn into stews and heartier dishes before the weather got too warm. I found two rock-solid ribeye steaks, which I decided to cook with a new technique instead of my usual sous vide. Just as I was about to go with the method recommended by a national charcuterie champion, I saw this article featuring Nathan Myhrvold, author of Modernist Cuisine (MC). His method involves blowtorching the frozen steak to give it a crust, then cooking it in a 180°F oven for about an hour. It looked easy enough, but when I consulted volume 5 of MC I saw that the beef rib steak recipe featured a half dozen accompaniments. I had the ingredients for all of them, the recipes didn’t look too difficult, and if I spaced out the tasks over two days I could work at a leisurely pace.

Salt Gel

I boiled salt and agar in water until the gel hydrated, then poured the solution into a mold which set in the fridge.

Beef Jus

I cheated. I couldn’t bring myself to cook a pound and a half of aged beef and bromelain (an enzyme) sous vide, squeeze all of the juice out of the cooked meat, and then centrifuge the juice at 27,500g. Okay, I didn’t have a centrifuge, either. Instead, I reduced homemade beef stock by half and continued with the recipe, which called for the addition of xanthan gum, guar gum, and MSG.

Shiitake Marmalade

Again, I was supposed to centrifuge tomato puree to separate out the clear, tomato-flavored “water,” but this time I achieved the same results with a different method: gel clarification. I combined the puree with gelatin, froze the mixture, then let it thaw in a cheesecloth-lined sieve.

All for 40 grams of liquid, which was added to a sweat of shiitakes, shallots, and garlic, all cooked in rendered beef marrow (which I actually had at hand in the Belm Utility Research Kitchen).

I added the mixture to some of the beef jus, thickened it with gelatin and xanthan, then corrected the seasoning with sherry vinegar, salt, and pepper.

Suet Mousseline

After reducing white beef stock, white wine, shallots, and white wine vinegar, I added heavy cream and low-acyl gellan.

 

Day one’s work was completed, with the marmalade, jus, and mousseline components waiting in the fridge.

Butternut Squash Purée

The MC recipe for the potato purée that accompanies the steak includes potato juice passed though – you guessed it – a centrifuge, which I suppose is Myhrvold’s implementation of Maslow’s hammer. The Times article had a sidebar for pressure-cooked squash purée, which became my substitution (at least until I get that centrifuge that’s been on my xmas list for two years…).

For the final push, I set the oven to 180°F, set up a water bath at 62°C, and put the pressure to the squash. I cooked four eggs in the water bath for about half an hour, then separated out the yolks, which I mixed with the stock/wine gel. I vacuum sealed 200 grams of beef suet and cooked it in the water bath until it liquefied.

While things cooked in the bath, I took a blowtorch to the frozen steaks.

I set the pan with the steaks in the oven, where it sat for 70 minutes. I blended the liquid beef fat into the egg fluid gel.

I poured this mixture into a siphon, charged it with nitrous oxide, and let it stay warm in the water bath. While the steaks finished cooking, I pureed the squash and warmed up the jus and shiitake marmalade.

I sliced and plated the steak, added the garnishes to separate dishes (including foaming the suet mousseline), then finished with some of the grated salt gel and a few dehydrated garlic chips.

The steak was as expected: perfectly rare out to the edges, with a caramelized crust. The salt gel, which came off my microplane grater looking like rice noodles, stayed solid even wen exposed to the heat of the steak. With the exception of the sweet squash puree (and I’ll never cook it any other way ever again), we treated the other garnishes like dipping sauces. The jus had a clean beef flavor, the marmalade provided the requisite deep onion/mushroom background, but the mousseline stole the show. I should have realized what it would taste like as I was preparing it – wine and shallot reduction, egg yolks, added fat – I had made a sauce béarnaise without the tarragon. We all mopped that cup completely clean.

The advantage to this steak cooking method was being able to use the water bath at one temperature and cook the steak at another, a problem easily solved with two sous vide rigs running simultaneously. I may not go through the trouble of making he jus and marmalade again, but that mousseline is a keeper.

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No Poach, Chorizo

I was looking for a recipe that incorporated the Spanish chorizo I had made when I noticed a feature in Food and Wine about “iconic chefs.” It’s hard to argue with the list, one chef chosen for each decade of age (including Achatz, Flay, Keller, Puck, Jaffrey), but the recipes associated with each chef are what caught my interest, in particular, Thomas Keller’s contribution. “Olive-Oil Poached Cod with Mussels, Orange, and Chorizo” not only looked delicious, but it would be simple to prepare.

Scaling down the basic proportions, I visited my local fishmonger to buy a pound and a half of mussels and three thick six-ounce cod filets. He was out of cod, but suggested I try hake loin instead. I agreed, told him the size and thickness I needed, and watched in awe as he butchered an entire hake to make the filets. In less then three minutes. When I got home with the hake, I salted the pieces generopusly and let them sit for five minutes.

The recipe requires poaching the fish in a quart of olive oil, which I thought would be wasteful. A few hours before buying the fish, I portioned a cup of olive oil into an ice cube tray and let it freeze. When it was time to rinse off the salt and dry the fish, I added it to a sous vide bag along with the frozen oil, solving two problems at once: not gunking up my vacuum sealer with oil, and being able to have the bag ready in advance of when it needed to be cooked.

I assembled the rest of my ingredients: four ounces of chopped chorizo, a thinly sliced large shallot, a half cup of finely chopped fennel, a quarter teaspoon of piment d’Espelette, a half cup of wine, a cup of fresh orange juice, a whole orange, a cup of chicken stock (not shown), and the mussels.

I cooked the chorizo in a bit of canola oil until about three tablespoons of fat had rendered out.

After removing the cooked chorizo, I sweated the fennel and shallots, then added the mussels and wine and cooked until the shells opened.

I removed the mussels, strained the grit out of the cooking liquid, then returned it to the pan along with the orange juice, chicken stock, and piment d’Espelette, simmering until reduced to a half cup. I stirred in a quarter cup of olive oil and kept the sauce warm.

While the sauce reduced, I finished the rest of the prep. I removed the mussels from their shells, then peeled and sectioned the orange, adding the extra juice to the sauce. I dropped the bag with the fish and oil into my immersion circulator, where it cooked for half an hour at 180°F. Just before the fish was done, I added the mussels to the sauce to warm up.

I removed the fish, blotted it dry, then cut each filet into three pieces. I  transferred the hake to shallow bowls, spooned the mussels and sauce around, then garnished with the orange segments, chorizo, and reserved fennel fronds.

I served the dish with a chilled German Riesling.

I wasn’t sure how the dish would taste. I knew that the fennel and mussels were complimentary, as were the citrus and fish, but it was the two different heats – from the sauce and chorizo – that tied everything together.

I want to make this dish again, not only because it was so tasty, but also to incorporate a variation described in the recipe’s introduction:

At The French Laundry in Napa Valley, chef Thomas Keller serves this dish with an orange gelée flavored with Esplette peppers.

I’m confident I can do that.

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Spanish Chorizo

Even though Charcutepalooza ended in December, the momentum carried me beyond the conclusion. Once you have a house full of casings, curing ingredients, and a finely-tuned curing chamber, it’s hard to stop making more charcuterie.

Since I finally managed to make decent salami, and I had enjoyed the first batch of chorizo I had made, I decided to combine techniques and try a dry-cured chorizo. Same tune, different key: starting with five pounds of diced pork shoulder, 50 grams of kosher salt, 10 grams of dextrose, and six grams of Insta Cure #2.

After mixing the pork with the dry ingredients, I passed it through the large die of my grinder.

I assembled the seasonings: 36 grams of minced garlic, 16 grams of pimentón (smoked Spanish paprika),16 grams of homemade ancho chile powder, and five grams of cayenne, along with 60 milliliters of water and 20 grams of Bactoferm starter culture.

After combining everything with the ground pork, I stuffed the mixture into standard hog casing, made 12-inch loops, and tied off the ends with strings. (Unlike quantum physics, in which strings and loops are mutually exclusive, charcuterie is a grand unification theory requiring both.)

I tagged each link with its starting weight and date, then hung them in the curing cabinet. Unlike the salami, no warm incubation period was required.

I checked the weight every week, waiting until each link had lost 30 percent of its starting weight. Although I had not added any additional starter culture to the casings, the cured chorizo picked up the mold from the salami hanging to the right (along with some bresaola and lonzino).

This stuff is so good I sent it out to friends. It’s smoky, salty, with just a bit of heat – more complex than the fennel salami. It’s a perfect accompaniment to a hearty rioja, and it can be used as a component of another dish. But that’s the next post.

Spanish Chorizo on Punk Domestics
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Waffling About

I was shamed into doing the cooking for this meal after being gently reminded by a London reader that I had promised to make this recipe more than a year ago.

This time around I used challah instead of white bread, but the rest of the assembly was the same: Cook’s Illustrated French toast batter and microplane-shredded prosciutto.

I soaked the bread in the batter, set slices in the waffle maker, and sprinkled the prosciutto over the top before closing the lid. The ham had aggregated into clumps, which made it difficult to distribute evenly.

The prosciutto cooked into a crispy outer crust, not unlike bacon. Which is what I served with the waffles because, well, bacon.

The waffles were superior to the toast version, probably due to the extra caramelization produced by the higher heat of the waffle iron. I’d like a better distribution of prosciutto across the surface, which has me thinking I’ll have to mix the shredded meat with some maltodextrin to make prosciutto powder. I can dip battered bread directly int the powder, which will not only give me more even coverage, but will have the added benefit of making the exterior even crispier.

So I guess I’l be making these waffles again. With any luck it won’t take me a year to get around to it.

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Shawcuterie

A good idea can start with a joke. This idea began as a bad pun, veered into the realm of speculation, and was finally implemented on a whim.

In exchange for an assortment of custom spice blends, I sent my friend Mark some fennel salami and Spanish chorizo, both products of the Cabinet of Doctor Charcuterie. When I heard nothing from him after about a week, I emailed him to ask if he had received my package. His response, “we’re saving the Shawcuterie for the weekend,” was pretty funny, but then he followed up with “shawcutertie.com is still available, but Amy [his wife] wants to buy it.”

I know a challenge when I see it, so I immediately grabbed the domain for myself. Which left me with an unanswered question: What should I do with it?

Even though the year-long Charcutepalooza challenge has ended, I continue to prepare tasty salted pig parts in the Belm Utility Research Kitchen. I don’t want to write a post every time I make a disaster-free salami, but I would like to document my progress. Enter Shawcuterie (shawcuterie.com), a Tumblr blog that I will occasionally update with photos of my cured meat successes as well as the occasional food porn of charcuterie from other more accomplished cooks. I hope that it will spur me on to improve not only my charcuterie skills, but my photography as well.

Have a look. Let me know if you think it’s a good idea or a bad pun gone horribly wrong.

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Continuing a Mail Order Education

Apart from the basics of handwriting, grammar, and arithmetic, my grade school education happened at home, between the pages of books my parents bought to satisfy my voracious curiosity. (And, I have always suspected, to stop me from asking them questions they couldn’t answer.) This supplemental schooling began when I was given a box of How and Why Wonder Books, which I read so many times that I could recite large chunks of them from memory.

After the now-legendary Galileo incident, my father, realizing that my science education would have to come from other sources, bought me a subscription to the Science Service book series, replying to an ad like this one:

This was still in the sixties, there was a space race going on, and our children had to grow up to be scientists and engineers! This explained the series’ emphasis on atomic power, submarines, radio communications, and, or course, rockets.

Unfortunately, the Apollo program was moving so quickly that the books couldn’t keep up. We dropped the subscription and I cast about for a new source of books, which, ironically, I found in my grade school’s library.

The library at St. Catherine’s was divided into two areas, one for the first through sixth grades, and the other for the seventh and eighth grades. I had already read everything of interest in the “lower library,” and had taken to sitting near the entrance of the “upper library” to see what books I could look forward to reading. On the bottom shelf closest to the door I could see what was obviously a collection of similar books, with titles in white letters agains solid-colored spines. It was a set each of the Life Science Library and the Life Nature Library – probably donated by a well-meaning parent – and I could tell after a few weeks of observation that the books had never been checked out.

I had to read those books; I couldn’t wait another year. I made my case to the librarian and then the principal, who was all too happy to keep me distracted. I’m sure she thought that fifty books would keep me busy for at least a year. What she failed to take into account was that I had already been given permission to check out two books every week.

And so my real education began. I read all of the books, returning to sections I didn’t understand when I learned more about the topic from other sources. I confirmed that the books had never been cracked open by anyone else, and realized just before I graduated that I was the only person to have read the books in three years. That shelf was mine, a source of knowledge that I still remember to this day. (An example: While visiting a lab at UMass Amherst, I noticed a reptile skull sitting on my friend’s desk. I asked “Is that a tuatara skull?” “Yes, how did you know?” “It’s pretty distinct, given that it’s the only surviving member of one of the five orders of reptiles.” Where did I learn that? The Reptiles, from the Nature Library.)

Decades later, when Boston’s Avenue Victor Hugo Bookstore closed its doors for good (an early victim of online book selling), I was able to buy a complete set of both library series, which, out of tradition, live on the bottom shelf of the bookcases where we keep the science books. It was only then that I realized some of the talent that had been recruited to write the books: Carl Sagan wrote Planets, Roger Tory Peterson wrote The Birds, and Arthur C. Clarke wrote Man and Space (updated in 1969 to include the Apollo 11 moon landing).

This bout of nostalgia was prompted by a chef friend who gave me a partial set of another Time-Life book series, Foods of the World. Publication of this series began in 1968 and continued through the 1970s, about the same time that cooking shows like The French Chef and The Galloping Gourmet were making American audiences aware of cuisines from other countries. The books, which are a combination of travelogues and recipes, were produced with Time-Life’s usual high quality. The photography stands up to any modern food photography, and the writing, by experts including Julia Child, M.F.K.Fisher, Craig Claiborne, Pierre Franey, James Beard, and Jacques Pepin is hardly dated at all.

The books came with smaller, spiral-bound collections of additional recipes. I have some of the supplements to match the main volumes, but not all.

Although more than a third of the books are devoted to American and French cooking, there are a few volumes that are still useful references, devoted to the cooking of Africa, the Caribbean, Spain & Portugal, and the Middle East. The most unusual book in the series, A Quintet of Cuisines, covers Switzerland, the low countries (the Netherlands, Belgium, and Luxembourg), Poland, Bulgaria and Romania, and North Africa. The North African section covers a cuisine that is still under-represented in the cookbook market apart from Paula Wolfert’s books on Moroccan food.

My friend, knowing my fondness for cooking with odd bits, threw in a volume from The Good Cook, another Time-Life series that was organized by subject instead of cuisine:

Before Fergus Henderson championed nose-to-tail eating, Richard Olney’s Variety Meats was a solitary voice crying out in the culinary wilderness. I would have loved to be a fly on the wall when this book showed up as part of  a housewife’s subscription. If she wasn’t immediately put off by the cover photo of braised stuffed tripe basted with veal demiglace, then the recipes for brains and kidneys would have relegated to book to the far end of the shelf, never to be opened again (which probably explains why my copy and copies owned by friends are in such good condition).

So now I get to relive a part of my childhood and absorb another reference library. I hope my family and friends are prepared, because even my first cursory pass has turned up a lot of recipes that look both challenging and tasty. I have already begun prowling eBay to locate copies of the missing volumes. After all, who wants an incomplete education?

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Just One Fix

If the story of Momofuku is David Chang turning a ramen obsession into a series of wildly successful restaurants, then the story of Momofuku Milk Bar is Christina Tosi turning whatever she could find in the Momofuku kitchen into delicious desserts. I bought the book with the intent of correcting my cereal milk panna cotta disaster, but I was quickly sidetracked by the other recipes. My first foray, cornflake-chocolate-chip-marshmallow cookies, was a huge hit  with the family holiday cookie exchange. I had intended on continuing through the book, moving from cookies to cakes, but there was a recipe at the end that kept calling to me: crack pie. How could I not make  something with that name?

Crack pie is a variation on traditional chess pie, which is best described as pecan pie without the nuts. That description would lead you to believe that the final product would be a crust full of goo, but the addition of milk and corn powders provide extra thickening. The filling is poured into a crust made from oatmeal cookie, which is where I began.

Rolled oats, butter, light brown sugar, flour, granulated sugar, baking powder, baking soda, salt, and an egg yolk made enough batter to almost fill a quarter sheet pan. I had to restrain myself from nibbling at the cookie, which was much tastier than the oatmeal cookies I usually ignore. (Perhaps it has something to do with the absence of raisins.)

I pulsed the cookie with some additional salt and brown sugar, then mixed the crumbs with melted butter and divided the mix between two pie tins to make the crusts. I turned my attention to the filling, which was made from egg yolks, melted butter, heavy cream, light brown sugar, granulated sugar, salt, vanilla extract, powdered milk, and corn powder (made by pulverizing freeze dried corn kernels.)

I combined all of the dry ingredients in my mixer, then added the butter, cream & vanilla, and finally the eggs, beating at each step until the mixture was homogeneous.

I divided the filling between the two pie shells. I’ve given up on trying to eyeball equal amounts, relying on my scale to measure out equal weights instead.

After baking for 15 minutes at 350°F, I dropped the temperature to 325°F and continued to bake until just the center was still loose. After cooling the pies to room temperature, I froze them overnight, which Tosi describes as “the signature technique and result of a perfectly executed crack pie.” I transferred one of my perfectly executed pies to the fridge for an hour before serving with a scoop of chocolate cayenne ice cream, some whipped cream, and a spoonful of peanut butter powder.

Tosi mentions more than once in her book that she has a sweet tooth. I should have been tipped off by the sweetness of the cookies I had made, but I was not prepared for the sugar hit I got from the pie. It’s very sweet, a level of sweetness that made the ice cream act as the dessert’s savory component. Still, I couldn’t stop eating the pie – it was delicious, with perfect contrast between the crunchy and slightly salty crust and the firm, chewy filling. I had to force myself not to eat another piece, a testimony to the pie’s name. I purposely kept the second pie in the freezer to avoid wanting “just one more piece.”

But I’m okay, I can handle it. I’ve got it under control, really. I may be buying more eggs and butter this weekend, but it’s for breakfast, so back off.

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